BLACK STARS ARE SHINING VERY BRIGHT
With Black Stars are Shining Very Bright Abhishek tries to generate a situational storytelling with autobiographical references along with myths and popular sayings. While hearing a myth or folk stories his mind, he says, bursts with many images and characters. It is also something which gives him foot to thought. Taking self-reference and portraying himself as a protagonist, he enacts a solo play encountering the mundane situations by grasping a character who can fall, rise and again start exploring by dragging behind the struggles and fear of uncertainty within, with the settings of urban conveniences and relationships. By making those elements face each other it helps him allow the tension with an approach for contemplative depth and talks about improving oneself in this society with a situational drama. It is like a dialogue within and responding to various circumstances by commenting on oneself to mould towards perfection. Dealing with anxious moments which ironically describe the events that cause discomfort which sometimes leads us to the desire to achieve and overcome the social periphery, and we always fight with the anxiety to prove one.
Black Stars Are Shining Very Bright VII
Etching Prints on Plaster: The artist’s foray into etching prints on Dental Plaster represents a profound extension of his artistic exploration, building upon the foundation of hand-bleached inkjet prints. This meticulous and time-intensive process is more than a mere artistic endeavor; it's a journey that delves into uncharted territories, pushing the boundaries of artistic expression.
The essence of etching prints on plaster lies in the tangible connection between the medium and its significance in the realms of construction and design. The plaster block, when imprinted with an image, becomes a vessel of architectural sentiment, evoking emotions and memories associated with the concept of home. What sets this apart is the deliberate imperfection inherent in this portrayal, a defiance of the conventional pursuit of architectural flawlessness.
The architectural wonders and opulent interiors Abhishek selects as subjects for these etchings stand as testament to human craftsmanship, residing in the illustrious annals of history. They exude perfection, meticulously crafted and adorned with intricate detailing. Yet, the transformative effect of bleaching, followed by the manifestation in etching prints on plaster, introduces a compelling juxtaposition between the quest for flawlessness and the allure of imperfection. This interplay embodies the very essence of temporality, echoing the fragility embodied by the plaster material itself.
Within these grand interiors sourced from the digital realm, a cast of protagonists emerges, laden with unease. Their presence shatters the façade of comfort, ease, and magnificence. The influence of theater pervades the artist’s creative process, creating an orchestrated ambiance reminiscent of the precipice of a theatrical performance, where spectators are invited to shape the storyline's course.
Text integrated into the artwork adds a new layer of depth, transcending initial visual impact and guiding contemplation toward unexplored avenues. This interplay between imagery and text intensifies impressions and propels thought into uncharted territories.
In essence, the artist’s journey through etching prints on plaster is a continuum of broader artistic exploration, an embodiment of artistic evolution. This innovative approach intertwines medium, technique, and thematic intent into a singular narrative—a narrative that speaks to the interplay of imperfections and aspirations, the ephemeral and the enduring. It invites viewers to engage in a profound dialogue spanning both tangible and intangible realms of artistic expression, transcending time, space, and memory.
